Infinity chamber11/19/2022 Milloy caps off, “I love post-production, I love the art of editing, I love sound design.”Įxperience Travis Milloy’s high concept Sci-Fi Thriller, Infinity Chamber on VOD.At the center of Infinity Chamber are Frank Lerner (a prisoner played by Christopher Soren Kelly) and Howard (his jailer, voiced by Jesse D. It was a very subtle filtration that I did to his voice from start to finish.” As the movie progresses, the tones of his voice sound like he’s breaking down or losing something. “I basically made his voice gradually more unstable. Milloy clarifies on the AI voice process. Arrow provided the voice of Howard, the Artificial Intelligence type character as his voice naturally sounded dark, scary, with a synthesized feel to it, but concurrently attained a level of humanity. I stepped back and then went in again.” As Milloy faced some obstacles during editing, he inserted some beautiful match cuts to transition between the two worlds. What happens a lot of the time, especially when the director is editing himself you over edit, you are getting impatient, you want to move things faster and faster. I went in a second time and restructured the story, moved things around, especially in the first act. There was something not working about the story the rhythm, the pacing, the structure wasn’t really paying off. Editing is a whole art in itself I mean you can find your movie, you can lose your movie, you can figure it out through the editing process. Milloy credits much of the story success in the editing. Right away, I was like this guy is interesting, super talented, and there’s a lot to him. When I had met Christopher Kelly, we were auditioning for a different movie he came into read as a cold audition and just blew me away. “I knew having one character carry the whole movie, I had to find the right person. But as they shot, it transitioned into the traditional framing with simpler shots on a locked down tripod to show off the world and the set the best way.Īnother dilemma was finding that one person to portray the film through. In relation to the camera placement, Milloy initially envisioned it as more of the handheld style with movement within the cell. The two different styles meshed well creating a beautiful film. On the flip, that was contrasted by a warmer, sunlight, orange template for outside of the cell, which was shot by Marty Mullin. Nolte brought an interesting look making it very clean, sterile, and blue feel to it. Jason Nolte shot mostly everything in the cell. The film had two different Cinematographers attached to the project. Now that the set was completed, the question was how to make it visually cinematic on screen. The irony is that it took a year to build the set, however had to be torn down within 18 hours. Luckily, he had Production Designer, Tom Duffield ( Hell or High Water, Lone Survivor, Patriots Day) nearby to offer advice and suggestions. It took a year to build the automated prison cell set, as he basically built that entire world by himself with one power drill and 5,000 metal screws to make it look real. Obviously, many complications exist for creating a futuristic automated prison cell. This unconventional method worked hand in hand and inspired Milloy with the script that same night. There was a high probability that the film would be in development forever so, he acted by forcing himself into a corner renting a space in an industrial area and building the set, while simultaneously completing the script. Infinity Chamber was a personal project that took about 7-8 years in the process, which came about from a news report on automated prisons. From the writer of the 2009 hit Pandorum comes Travis Milloy’s latest Sci-Fri Thriller entitled Infinity Chamber. High Concept ideas sound very exhilarating, but are no easy task.
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